Legend & Origin
Xi Wangmu may have undergone the most dramatic makeover of any deity. In her earliest appearance in the Classic of Mountains and Seas, she is a half-divine, half-bestial figure — human face, tiger's teeth, leopard's tail, wild unbound hair — dwelling on Mount Kunlun and presiding over heavenly disasters and punishments, nothing at all like the gentle Queen Mother of later ages. By the Han dynasty, in texts such as the Biography of King Mu of Zhou, she had transformed into a beautiful goddess who holds the elixir of immortality, meets King Mu at the Jade Pond, and gifts immortal peaches to Emperor Wu of Han.
Once Taoism took shape in the Wei and Jin periods, Xi Wangmu was honored as the chief of all female immortals, with the Jade Pond as her home and the flat peach as her emblem — three thousand years to blossom, three thousand to fruit, three thousand to ripen. Her 'Peach Banquet' is the grandest feast in heaven, and the very occasion Sun Wukong throws into chaos in Journey to the West. From beast-god to mother-goddess, this reversal across a thousand years mirrors how people's image of 'the mother' itself evolved. And in Taiwan, from 1949 onward, Hualien's Cihui Tang took her worship in yet another direction — compassion for the world and service to society — bringing the goddess down from the Jade Pond and into human life.
